edited by Susan Pearson & illustrated by Peter Malone ‧ RELEASE DATE: June 1, 2002
A modest collection of 16 sleepytime poems, most of them dating from the first half of the last century, with gently surreal illustrations. The design is such that each two-page spread functions as a single unit, with the left-hand-side image or images facing the right-hand page of text. This allows the illustrator a free imaginative rein, so that some pictures are bizarrely fanciful and others gently straightforward; they reflect and enhance the poems in unexpected ways. The classic “Wynken, Blynken, and Nod,” which takes up four pages, plays a Victorian-inspired trio in their wooden shoe boat against a thoroughly modern mom in bare feet and chinos gazing at her babe in a trundle bed. Carl Sandburg’s “Baby Toes” (“There is a blue star, Janet, / Fifteen years’ ride from us, / If we ride a hundred miles an hour”) is paired with a female pilot holding sky charts and a small child sitting in the pilot’s seat of a bi-plane. Lilian Moore’s gorgeous “The Bridge” shows a boy looking out at a bridge from his window, having built bridges on the floor of his room with piles of books as suspension. The North Wind in Vachel Lindsay’s “The Moon’s the North Wind’s Cooky” is a startling, spiky figure with punk hair and bright blue shoes. The illustrator sneaks in the cover of another book he’s illustrated in the marvelous split-screen high-rise view for Norma Farber’s “Manhattan Lullaby.” This sophisticated collection does what it sets out to do, and should give bedtime readers food for dreams. (Picture book/poetry. 3-8)
Pub Date: June 1, 2002
ISBN: 0-688-16603-2
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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