by Susan Wood ; illustrated by Laura González ‧ RELEASE DATE: March 5, 2019
Not, alas, as tasty as its topic.
Somewhere in southern Mexico a hen (who is, of course, little and red) is hankering for some guacamole.
But her otherwise-occupied neighbors, who all agree that “Nothing beats a tasty guacamole,” won’t join in the gathering of the essential ingredients. The coati’s “hanging out,” the snake’s “all tied up,” the armadillo’s “gotta jump,” and the iguana is working on a tan. The hen manages to gather everything she needs, including one giant, red jalapeño—concealing it from the genial but unhelpful cast of characters. When the guacamole is shared all about, the chicken’s secret ingredient has her friends blowing their tops. “ ‘HOLY SQUAWKAMOLE!’ they all hollered. ‘THAT’S A SMOKIN’ HOT GUACAMOLE!’ ” Wood’s retelling of this well-known tale of reaping what you sow meanders along, raising questions throughout. Why are masa and cumin mentioned on the first page when neither is needed to make guacamole? Another puzzle arises from the author’s choice for the protagonist. She makes a point of selecting animal sidekicks native to Mexico but misses an opportunity to use the native turkey instead of the standard chicken. Also, there is both misinformation in the appendix (Aztecs did not use cilantro; it likely arrived with the Spaniards) and the confusing addition of Japanese, French, and Caribbean spins on guacamole. González’s colorful digital art is generically cute but as texturally flat and lackluster as the story itself.
Not, alas, as tasty as its topic. (recipe, glossary) (Picture book. 3-8)Pub Date: March 5, 2019
ISBN: 978-1-4549-2253-7
Page Count: 40
Publisher: Sterling
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Michael Dahl ; illustrated by Ethen Beavers ‧ RELEASE DATE: Aug. 1, 2016
This should send Dark Knight fans flying to the Batcave—or the bedroom.
Holy bedtime, Batman!
In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”
This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)Pub Date: Aug. 1, 2016
ISBN: 978-1-62370-732-3
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
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