Even die-hard Garland fans may wish Boyt’s ardor had limits.
Fashion columnist/novelist Boyt (Only Human, 2004, etc.) obsesses over a life obsessed with Judy Garland.
“[Judy] was my life in purest form,” writes the author, “encapsulating and refining all the things that interested me most.” Like Garland, Boyt had a traumatic start. She was born into a broken home and was often overweight and overwrought. She also liked to sing and, as she flirted with a performing career, longed for the stage mother she didn’t have. (Garland’s daughter Lorna Luft later suggested to the author that children should not be robbed of childhood.) Like millions of others, Boyt was transfixed by an early screening of The Wizard of Oz, identifying intensely with the film’s star. Her memoir tends to circle in adulatory generalizations about Garland, occasionally getting specific to make somewhat tenuous connections between the two lives. Garland’s “flicker of lip and eye” in a frame from Meet Me in St. Louis launches the author’s recollections of her own Christmases. A telling essay about Garland’s schooling between takes at Metro leads to Boyt’s ruminations about emotional and physical hunger. Boyt’s insight into Garland’s work is mostly uneven, but she scores with an analysis of the failure of Garland’s TV series in the mid-’60s. The author posits that the devastation wrought by the cancellation contributed to the singer’s demise. Along the way, Boyt offers sharp but too-brief profiles of Garland’s fans and co-workers, including cabaret performer Mary Cleere Haran, who comes off as rather testy, and a quickly glimpsed Mickey Rooney, who appears grumpy and enigmatic. Boyt’s anxieties prior to an interview with Liza Minnelli may exhaust reader patience, but the interview itself, however sketchy, rewards with its quick, telling details. The author’s parting observation—“I have navigated my life under her [Garland’s] star”—comes as no surprise.
Even die-hard Garland fans may wish Boyt’s ardor had limits.Pub Date: May 1, 2009
ISBN: 978-1-59691-666-1
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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