An unforgettable page-turner of a life story rendered with endless grace and grit.
A soul-baring memoir by one the most significant social activists of the past two decades.
By the time the #MeToo hashtag became popularized in 2017, Burke had been at work for more than 10 years building the “me too” movement. Though she sets the record straight as the movement's true founder, she’s less concerned about credit than she is about letting “women, particularly young women of color, know that they are not alone—it’s a movement. It’s beyond a hashtag. It’s the start of a larger conversation and a movement for radical community healing.” With empathy at the heart of this movement, Burke offers her own story as a means of helping others. “A dark-skinned Black girl who had been damaged and used,” the author recounts her upbringing in the Bronx in the 1970s and ’80s where she was labeled “ugly” and blamed herself for the rape she endured at age 7. Through searing prose and riveting storytelling, Burke lays her trauma bare alongside beautifully rendered moments, such as her discovery, as a high school freshman, of the transformative power of fellow survivor Maya Angelou’s life and art. An honors student known as the “Black Power girl” who challenged racist White teachers, the author went on to become a college activist and then a community organizer in Selma, Alabama. Her intense passion and commitment shine through on every page. Even readers familiar with the story of the Rev. James Bevel—a “giant of the Civil Rights Movement” and known, protected serial child molester—will share Burke’s anger and heartbreak when they crossed paths in Selma. While working with Black girls in Selma, the author discovered that their healing and renewed sense of self-worth were inextricably tied to her own. Burke’s reckoning with her painful past becomes the blueprint for “me too.” Told with candor and deep vulnerability, this story is raw and sobering but also a source of healing and hope for other survivors.
An unforgettable page-turner of a life story rendered with endless grace and grit.Pub Date: Sept. 14, 2021
ISBN: 978-1-250-62173-3
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
PERSPECTIVES
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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