A compulsively readable story about the bonds between family members and the power of breaking free.
In the early 1980s, four Malibu surfer siblings throw a raging party that forces them to confront their pasts in this new novel from the author of Daisy Jones & the Six (2019).
The Riva siblings didn’t have an easy childhood. Their father was a famous singer who came and went whenever he wanted, finally leaving for good. Their mother was an alcoholic, leaving her oldest daughter, Nina, to take on the bulk of the parenting. Nina ends up becoming a surf model to earn enough money to take care of her siblings: Jay, who becomes a pro surfer, Hud, who becomes a surf photographer, and the youngest, Kit, who hopes to follow in their surfing footsteps. Their rocky childhood led them to become extremely close as adults, and no tradition means more to them than the annual Riva party, held at Nina’s beach house. It’s typically raucous and full of celebrities behaving badly, but the real drama this time ends up coming from the secrets the Rivas are keeping from each other. Reid alternates between the siblings’ current-day party preparations and the story of their past: how their parents, Mick and June, met in the 1950s, fell in love, and had a tumultuous relationship. By the time the end of the party rolls around, the siblings each realize the many ways their pasts continue to affect their futures. Reid’s descriptions of Malibu are so evocative that readers will swear they feel the sea breeze on their faces or the grit of the sand between their toes. The Rivas have a believable sibling dynamic, and the family members are complex and delightfully flawed (especially Mick, whose bad decisions reverberate throughout the novel).
A compulsively readable story about the bonds between family members and the power of breaking free.Pub Date: June 1, 2021
ISBN: 978-1-5247-9865-9
Page Count: 384
Publisher: Ballantine
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
SEEN & HEARD
SEEN & HEARD
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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