A bold, honest, and controversially necessary read.
A striking collection of essays that will leave readers wanting to reimagine our contemporary environment.
In his first work of nonfiction, Cole (Every Day Is for the Thief, 2015, etc.) crafts an anthological book of reflections divided into four parts: “Reading Things,” “Seeing Things,” “Being Here,” and “Epilogue.” Without much warning, readers are immediately thrown into the current issues that punctuate the news, social media, and the literary community. Acclaimed as both photographer and art theorist, Cole uses short essays to communicate fundamental ideas about his craft: “a photograph is…a little machine of ironies that contains within it a number of oppositions: light and dark, memory and forgetting, ethics and injustice, permanence and evanescence.” The author discusses James Baldwin and Jacques Derrida, and he analyzes the works of various photographers and poets throughout the years. The result is a compilation of essays that call to mind what Walter Benjamin did in his Illuminations: taking cultural works and applying them critically and politically to the now. “The black body comes prejudged, and as a result it is placed in needless jeopardy,” writes Cole. In fact, questions of race identity and justice are paramount for the author. “History won’t let go of us,” he writes. “We’re pinned to it.” What’s clear is that Cole perseveres in breaking away from historical tropes, offering to his readers differing perspectives that emerge from wide-ranging areas of study. “What always interests me—indeed obsesses me—is the way we engage in history,” he writes. “Except there is no ‘we.’ Americans do it differently and, often, irresponsibly and without particular interest.” Moments like these will make American readers stop to think, question the population they belong to, and find ways to make it better. The hope that Cole infuses in his prose is mirrored with poetically entrancing sentences: “We are not mayflies. We have known afternoons, and we live day after day for a great many days.”
A bold, honest, and controversially necessary read.Pub Date: Aug. 9, 2016
ISBN: 978-0-8129-8978-6
Page Count: 400
Publisher: Random House
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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