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THE GLOBE

THE SCIENCE OF DISCWORLD II

It's baffling why this appealingly distinctive offshoot (there are two volumes still to come) of the wildly popular...

This sequel to the fantasy/nonfiction hybrid The Science of Discworld (2014; U.K. 1999), wherein the bumbling wizards of Discworld’s Unseen University accidentally created our universe and the planet Roundworld, aka Earth, first manifested in the U.K. in 2002.

In the first book we learned that the inhabitants of Roundworld will escape the planet via a space elevator before another ice age would have wiped them (us) out. Unfortunately, Roundworld (“It mostly had ice ages, and was less engrossing than an ant farm”) has become infested with elves—Pratchett’s version being thoroughly nasty creatures like psychic leeches that, if left to themselves, will sap humanity’s creativity and drive so that nobody (human, that is) will escape the forthcoming disaster. Thanks to Hex, Discworld’s intelligent, magic-powered computer, the wizards can move through time, so they travel back and banish the elves. However, the humans that result are placid, cowlike creatures, incurious and almost devoid of intellect. Somehow, elves are essential to human development. But how? And what to do? In chapters that alternate with Pratchett’s tale, Stewart (Mathematics/Univ. of Warwick) and Cohen (Biology and Mathematics/Univ. of Warwick) explore, via physics, biology, literature and a dozen other topics, the role of culture or, more precisely, narrative, in fostering curiosity and intellectual development (“we may indeed share 98 per cent of our genes with chimpanzees, but then, we share 47 per cent with cabbages”). Readers who simply want more Pratchett may begin by skimming the more factual sections, but it will dawn on many that the discussions are at least as fascinating and entertaining as the antics of the wizards.

It's baffling why this appealingly distinctive offshoot (there are two volumes still to come) of the wildly popular Discworld yarns took so long to cross the Atlantic.

Pub Date: Jan. 20, 2015

ISBN: 978-0-8041-6896-0

Page Count: 384

Publisher: Anchor

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MEMORY POLICE

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

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A novelist tries to adapt to her ever changing reality as her world slowly disappears.

Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.

A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.

Pub Date: Aug. 13, 2019

ISBN: 978-1-101-87060-0

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 12, 2019

Kirkus Reviews Issue: June 1, 2019

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