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THE HIPSTERS

A most welcome collection for longtime Southern fans and neophytes alike.

A gathering of uncollected work by the celebrated master of black comedy.

Terry Southern (1924-1995) was known for his supremely sardonic take on the human condition as well as a “gonzo style [that] was imbued with a self-consciousness informed by his own quasi-celebrity,” in the words of his son and editor, Nile. The present volume existed as a working manuscript for decades, a companion of sorts to an unpublished novel called Youngblood. “It’s no wonder Terry didn’t return to The Hipsters, considering the intensely creative literary friendships he developed after his time at the Sorbonne [1948-1952],” writes Nile. “Rather than hanging out with lost souls, academics, and insouciant friends, Terry was mixing it up with poets, publishers, and grand eccentrics like Alex Trocchi, George Plimpton, Marilyn Meeske, Iris Owens, Doc Humes, Allen Ginsberg, and Gregory Corso.” The book is a hodgepodge of story sketches, ideas for books and screenplays, treatments, and other rough draft–ish pieces, all marked by Southern’s obvious pleasure at putting together roguish sentences. Some of the pieces could conceivably be outtakes from works like The Magic Christian, as when a narrator, having kept a truck driver from running over a sleeping junkie, suggests that he’s hauling not his stated load but instead, à la Henri-George Clouzot’s influential film The Wages of Fear, explosives. Among the best pieces in the book are sample pages from Southern’s screenplay for A Clockwork Orange, which, in the end, Stanley Kubrick rejected in favor of his own treatment, keeping Southern on as a producer for a time and then dropping him from the project entirely. Another revealing piece is a kind of keeping-busy thought experiment that Kubrick assigned him, coming up with sequels to Dr. Strangelove. The resulting “Strangelove Quartette” (1963), a screenplay of sorts, contains a provocation at the outset: "Does Strangelove have any emotional ties? Possibility of Sue Lyon being Strangelove’s daughter. Everyone else begging for shaft-priority.” Nothing came of it, and that’s lamentable indeed.

A most welcome collection for longtime Southern fans and neophytes alike.

Pub Date: May 1, 2021

ISBN: 978-1-953862-00-6

Page Count: 292

Publisher: ANTIBOOKCLUB

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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ACCIDENTALLY ON PURPOSE

Top Chef fans might savor this detailed account, but others will find it bland.

The Top Chef host describes her journey to new heights.

For those who don’t know, Kish is a “gay Korean adopted woman, born in Seoul, raised in Michigan” and “a chef, a character, a host, and a cultural communicator—as well as a human being with a beating heart.” Though this book covers every step of her journey, every restaurant job and television role, and also discusses her experience as an adoptee (very positive) and a queer woman (late bloomer), the storytelling is so straightforward, lacking in suspense, character development, or dialogue, that it is basically a long version of its (longish) “About the Author.” Seemingly dramatic situations are not dramatized—when she was eliminated on her first Top Chef run, she assures us that she did the best she could, and drops it. “I can spare you the gory details (bouillabaisse and big personalities were involved).” Later, she cites a belief in protecting the privacy of others to omit the story of her first relationship with a woman. With no character development, neither does the reader get to know those who fall outside the privacy zone, like her best friend, Steph, and her wife, Bianca. When she gets mad, she says things like, “It’s a gross understatement to say I was crushed, beyond frustrated, and furious with the situation.” The fact that “I’ve never been a big reader” does not come as a surprise. It is more surprising when she confesses that “I believe the universe is selective about the moments in which it introduces life-changing prospects.”

Top Chef fans might savor this detailed account, but others will find it bland.

Pub Date: April 22, 2025

ISBN: 9780316580915

Page Count: 368

Publisher: Little, Brown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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