Fans of the TV special will be drawn to this edition of the beloved story; others may want to check out the new...
The version of the holiday story that has been shown on television for the past 50 years is the basis for this interpretation of Rudolph’s tale.
Most of the elements of the story everybody knows already are here. As a young reindeer, Rudolph doesn’t fit in due to his glowing nose, and he befriends Hermey, an elf who doesn’t fit in because he wants to be a dentist rather than an assistant to Santa. They set off together and avoid capture by the Abominable Snow Monster with the help of a woodsman named Yukon and his sled-dog team. The rather lengthy text rushes through the plot of the TV special, and there are a few plot developments that are solved without motivation, such as the Abominable Snow Monster’s sudden transformation from enemy to friend. Bright, hard-edged illustrations reflect the animated origins of this version, bearing a flattened appearance, as though a TV image had been captured for reference. Rudolph, Hermey and Santa are attractive characters, and the Abominable Snow Monster offers just a touch of scary menace to be overcome. There’s a none-too-subtle message about accepting those who are different, whether a reindeer with a red nose, a dentally minded elf or residents of the Island of Misfit Toys. Rudolph uses his special red nose to guide the sleigh team, but that accomplishment is curiously downplayed at the conclusion.
Fans of the TV special will be drawn to this edition of the beloved story; others may want to check out the new interpretation of the original story by Robert L. May, publishing on Sept. 30, 2014. (Picture book. 4-8)Pub Date: Sept. 9, 2014
ISBN: 978-1-250-04760-1
Page Count: 40
Publisher: Square Fish
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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