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ALONE TOGETHER

MY LIFE WITH J. PAUL GETTY

An epic personal saga for the Harlequin Romance crowd.

A society girl–cum–torch singer’s entertaining but overly sentimentalized memoir about the years she spent living with and loving America’s first billionaire, J. Paul Getty. 

Gaston met oil tycoon Getty at a New York nightclub in 1935. From the first moment they danced, the otherwise independent young singer felt like “[she] wanted to belong to this man [she] knew nothing about.” Getty, a four-time divorcé and patron of the arts, wooed the much-younger Gaston with ardor and encouraged her to pursue a career in opera. He invited her to Europe, where he put her in contact with legendary vocal teachers like Blanche Marchesi and introduced her to a glamorous world of elegance, royalty and artistic refinement that went beyond anything she had known in New York. Getty married Gaston in Rome on the eve of World War II and demanded she break off her studies to return home with him. Gaston remained in Italy to finish her studies, only to become a prisoner of war. She endured hardship and privation for more than two years but also experienced passionate love with a handsome Turk. When Gaston returned to the States in 1942, it was to an increasingly stingy husband who now spent most of his time working, traveling and having affairs that he denied. The couple moved to California, where Gaston gave birth to a son, who died before reaching his teen years. The child brought the drifting partners together only briefly before Getty abandoned his family to pursue the wealth and power that became his governing obsession. Sweeping in scope, the book, which draws throughout from Gaston’s and Getty’s letters and diaries, offers a glimpse into a privileged world where all that glittered was far from being gold.

An epic personal saga for the Harlequin Romance crowd.

Pub Date: Sept. 3, 2013

ISBN: 978-0-06-221971-8

Page Count: 416

Publisher: Ecco/HarperCollins

Review Posted Online: July 28, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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