Sweet and upbeat, though disjointed.
An Indian American girl observes her first Holi.
Maya adores visiting her grandparents. From playing in banyan trees with her cousins to eating her grandmother’s sumptuous rotis, her time in India always feels as cozy as a “pair of warm socks.” This trip is especially exciting because, for the first time, she’s going to “play Holi,” which Maya learns means spraying water and smudging colored chalk on friends to mark the arrival of spring. When Holi arrives, Maya’s parents give her a new salwar kameez but remind her to wear her old clothes to the celebration. After a delicious, sweet-filled breakfast, Maya’s cousins show up, and the children rush outside. Along with her relatives and their friends, Maya takes part in a holiday that, as her father reminds her, is all about new beginnings and forgiveness. Later, Maya returns to America, where the air is chilly, but her memories keep her warm. The author’s descriptions are vivid and tender, matched by Nair’s visuals, dominated by rainbow-hued sprays of color. Unfortunately, the plot meanders, briefly hinting at conflicts such as Maya’s discomfort about being one of the few people of color in her neighborhood back home and the idea of Holi being an opportunity to “[forget] old hurts and insults” without fully unpacking them; the conclusion is also somewhat abrupt.
Sweet and upbeat, though disjointed. (information on Holi, recipe for mango lassi) (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9781338875553
Page Count: 40
Publisher: Scholastic
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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