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RUFFIANS

Pro player Green, an Atlanta Falcons defensive stalwart, fades back to take a pass at writing a football novel and is sacked. All-American hunk and defensive lineman Clay Blackwell's got it all: a beautiful, sensitive, loyal college sweetheart and a six- million-dollar contract as befits the first-round draft choice of the hapless Birmingham Ruffians, a recent expansion franchise. Only the Ruffians aren't slated to be laughingstocks any longer. Ruthless owner Humphrey Lyles has hired equally ruthless new head coach Vance White, who believes in performance-enhancement drugs. At first good guy Clay won't go along—but becoming coach White's whipping boy, he caves in. Meanwhile, assistant coach Gavin Collins, token black on the staff, tries to buoy Clay's spirits when he's benched; and veteran Mad Max Dresden introduces Clay to pro football's perks—wild parties, cocaine, freebie trips, etc. A dream season ensues. An NFL first, the expansion Ruffians win game after game and are in the hunt for a Super Bowl berth. The Ruffians are lionized by the media and their fans. Clay is so overwhelmed that he barely feels the loss of his girlfriend. And if steroid use has caused Clay's hair to fall out and his back to be ravaged by acne, it seems a small price to pay. Then Max suffers a heart attack and dies, forcing Clay to rethink his priorities. He flees the team, reconciles with his girl, and decides to take the two million he's earned thus far and run. Except that Clay's agent, as slimy as Boss Lyle and Coach White, says that he'll forfeit all through breach of contract. No choice, back goes no-longer-humble Clay. The ensuing resolution is right out of Prince Valiant. Dime-novel characters, gloppy dialogue, and sex-by-the-numbers make for a drab outing—zero yards gained, zero points scored.

Pub Date: Sept. 14, 1993

ISBN: 1-878685-78-3

Page Count: 298

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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