It's hard not to be of two more or less uneasy minds about this ambitious book. O'Brien (If I Die In A War Zone, Northern Lights) has come directly to his subject—Vietnam—with great formal care and deep knowledge, and yet at least half the time it feels as if he's traveling in someone else's boots. In a fugue of fantasy chapters interspersed with astringently realistic flashbacks, Specialist Fourth Class Paul Berlin endures the life of a foot-soldier in Quang Ngai province; when a grunt named Cacciato—"dumb as a bullet"—one day picks up and sets off through the jungle, destination Paris, Berlin's patrol is sent after him. Fantasy takes over as, through Laos, India, Iran, Greece, and finally Paris, a dream of "possibility" and peace develops that could not be in greater contrast to the hell (in flashbacks) of normal war: the fragging of a by-the-book lieutenant, a medic feeding a dying soldier M&Ms and calling them "pills," desperate basketball games in the jungle. The revulsion, pity, and sheer documentary vividness O'Brien can draw from his real-Vietnam material is truly remarkable. But the fantasy journey and the Cacciato metaphor lack parallel strength: "The real issue was the power of the will to defeat fear. . . . Somehow working his way into that secret chamber of the human heart, where, in tangles, lay the circuitry for all that was possible, the full range of what a man might be." Such fustian/imitation-Hemingway tendencies rub up against balloony characters like a young Vietnamese refugee girl who accompanies the Quixote-like patrol on its mission to Paris and who seems more like an obligation to story than a deeply felt personality. "Where was the fulcrum? Where did it tilt from fact to imagination? How far had Cacciato led them?" Paul Berlin wonders—and so do we as we follow O'Brien through what's too often a large shell that unfairly shadows writing and intelligence of the highest order and honesty.
Pub Date: Feb. 1, 1977
ISBN: 0767904427
Page Count: 347
Publisher: Delacorte
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 1, 1977
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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