A well-written series opener uncomfortably built upon real historical tragedies.
Pirates and enslavers traverse the 18th-century seas in this novel spanning the disparate corners of the triangular trade.
In a West African valley, 13-year-old Alma; her brothers, Lam and Soum; and their parents, Nao and Mosi, live in isolation for reasons unknown to the children. The appearance of a creature the young people take for a solid-white zebra draws their attention to the outside world, threatening the family’s serenity. The kidnapping, enslavement, and commerce of African peoples is intimately familiar to Nao, who escaped capture with the help of Mosi, a former slave trader himself. Thirteen-year-old Joseph Mars, an orphan secretly seeking a mysterious fortune, learns of the slave trade’s terror and brutality aboard The Sweet Amelie, a vessel with a callous, greedy captain that he sneaked onto in Lisbon. Lam’s pursuit of the white horse, Alma’s pursuit of her brother, and Mosi’s attempts to save his family from enslavers are interwoven with Joseph’s clandestine search for gold and the account of a 14-year-old French heiress who has inherited tremendous debts alongside ownership of The Sweet Amelie. While forming compelling threads of an adventure, the plot relies on horrors and trauma that contrast the witty, humorous, and immersive writing with the very different stakes for the European and African characters. The author’s attention to historical detail and Place’s striking line drawings add charm and romance to a story that sometimes struggles to justify either.
A well-written series opener uncomfortably built upon real historical tragedies. (Historical fiction. 13-18)Pub Date: Aug. 9, 2022
ISBN: 978-1-60945-787-7
Page Count: 410
Publisher: Europa Editions
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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