A beautifully produced, authoritative volume.
Celebrating an American icon.
This comprehensive catalog of a major exhibition of Thiebaud (1920-2021) at the Museum of Fine Arts San Francisco gathers four essays, a bibliography of publications by and about Thiebaud, and an appendix of notes from Thiebaud’s lessons in figure drawing. Contributors include Timothy Anglin Burgard, the museum’s senior curator; Rachel Teagle, founding director of the Jan Shrem and Maria Manetti Shrem Museum of Art at the University of California, Davis; Eve Aschheim, Thiebaud’s teaching assistant from 1985 to 1987; and Burgard’s colleague Lauren Palmor, associate curator of American art. Both Burgard and Palmor address Thiebaud’s self-proclaimed penchant for appropriating and reinterpreting other artists—even his students. “I see myself as a total thief,” he once boasted. Yet, Burgard notes, although he freely admitted that he was influenced by others’ work (“I feed on it,” he remarked), among his prolific output—up to 100 works each year for 70 years—only a small percentage are appropriations; all reflect the capaciousness of his artistic interests. Although he spent most of his life in Sacramento, in 1956-57 Thiebaud took a year’s sabbatical in New York, with the goal of meeting leading figures of abstract expressionism, and he came away impressed by those artists’ engagement with European and American art traditions. At UC Davis, where he was a professor from 1960 to 1991, he taught painting, drawing, and art theory and criticism. Even after he retired at age 70, he returned to teach his lecture course and to offer private lessons in his studio almost until his death at age 101. Teagle and Aschheim, drawing on interviews with his former students, portray a vibrant, provocative teacher who brought to his classes, and his work, a broad knowledge of art history and an energetic spirit of invention.
A beautifully produced, authoritative volume.Pub Date: April 15, 2025
ISBN: 9780520418325
Page Count: 360
Publisher: Univ. of California
Review Posted Online: March 21, 2025
Kirkus Reviews Issue: April 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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