Entertaining if sometimes mean-spirited and full of valuable lessons in how—and sometimes how not—to run a magazine.
Princess Diana, Donald Trump, Nancy Reagan, and other newsy icons come in for critical assessment by a sharp-tongued London transplant who remade two leading magazines.
Brown (The Diana Chronicles, 2007) arrived in New York in 1983, in the thick of the Reagan era, and set about revamping a magazine that was off just about anyone’s radar. Recruited by Si Newhouse, a tycoon of a literary bent (“Si doesn’t know what the fuck is going on on the VF floor,” she writes, a tad unappreciatively), she did just that, filling the magazine with serious journalism while chasing after the pop-culture evanescent. This diary is a blend of high and low and in between, especially on the high gossip front, as with her fixation on a certain cluster of royals: “No one is more dismayed about this apparently than Diana, who signed up to marry the royal James Bond.” Amid the fluff and the constant fretting about money—possessed of a healthy sense of self-regard, Brown is also keenly attuned to matters of dollars and pence—readers learn a lot about how a high-toned magazine is put together, work involving schmoozing, partying, and ego-stroking as much as blue-penciling, all of which Brown is clearly very good at. A typical day, she reveals, might involving talking a recalcitrant author into a piece he or she might not really have wanted to do, dealing with one’s handlers (“How does two million dollars sound to you?” says superagent Swifty Lazar, shopping a novel by Brown that exists only in the ether), and slotting the David Nivens and the Ahmet Erteguns in for supper. The narrative ends with an upward move to another Newhouse property, the New Yorker, where, as at VF, Brown upset dozens of boats (“I replaced seventy-one of the 120 New Yorker staff with fifty outstanding new talents”) while casting a cultural institution in her own image.
Entertaining if sometimes mean-spirited and full of valuable lessons in how—and sometimes how not—to run a magazine.Pub Date: Nov. 14, 2017
ISBN: 978-1-62779-136-6
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Nov. 22, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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