A great story of a singular American life.
To be young, gifted, and Black; to raise a musical prodigy; to be a force for good: Beyoncé’s mother tells her story.
Knowles, born Celestine Ann Beyoncé, known as Badass Tenie B in her youth, begins her immersive and inspiring memoir with her childhood on Galveston Island, the youngest child of Creole longshoreman Lumis Beyuince and his wife, Agnes Derouen, a brilliant seamstress. She and her six siblings each have different spellings of their last name, but as her mother explained, when she tried to correct the registrar she was told to be happy that she was even getting a birth certificate, a relatively new development for Black people. This is one of the lesser indignities inflicted by systemic racism on what could have been an idyllic seaside childhood in the 1950s and ’60s—instead, police officers almost killed her handsome high school football player brother and went on to target the family. The storytelling style established in this portion of the book is first class: One can both hear Tina’s real voice and imagine that O’Leary, her credited collaborator, knew a thing or two about what makes a great memoir. A story about being forced by the nuns at her draconian Catholic school to give up her beautiful handmade white dress and her role in a ceremony to another little girl becomes the genesis of one of the central tenets of her life and of the moral code she sought to transmit to her children, Beyoncé, Solange, and “bonus daughter” Kelly Rowland (whom she co-parented with Rowland’s biological mom). Fascinating subplots abound: her own early musical career; her rollercoaster history with her first husband, Mathew Knowles; her relationship with her gay nephew and best friend Johnny (son of her much-older sister Selena), with whom she honed her craft as a clothing designer and stylist; how her shy little daughter revealed her leviathan talents and became an iconic star; and the ongoing operation of racism, for example in the record company’s blundering treatment of Destiny’s Child.
A great story of a singular American life.Pub Date: April 22, 2025
ISBN: 9780593597408
Page Count: 432
Publisher: One World/Random House
Review Posted Online: April 22, 2025
Kirkus Reviews Issue: Nov. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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