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SKYSCRAPER DREAMS

THE GREAT REAL ESTATE DYNASTIES OF NEW YORK

A comprehensive history of the families who risked fortunes and occasionally lost them while working their designs on N.Y.C.'s skyline—by the author of The Phony War (1982) and The Day America Crashed (1979). From the Astors in the late 19th century to the Trumps of yesterday, Manhattan real estate has been a quintessential family business. The reasons become clear as Shachtman traces the process by which generations of Rhinelanders, Astors, and Goelets cultivated their modest, pre-elevator, lower-Manhattan rental properties while gradually transforming them into grand hotels, palatial mansions, and the base of America's most sophisticated social elite. The wave of Russian-Jewish immigrants who followed brought their own ideas of family intact from their homeland; to ensure the survival of their own they banded together to purchase apartment buildings in their ghettos on the Lower East Side, experiment with larger projects in the outer boroughs, and eventually—sometimes a generation or so later—tackle the well- entrenched establishment on the great island itself. Then as now, the business of buying low, building tall, and selling high was a cutthroat one in which only blood relatives could truly be trusted. Developers without heirs were likely to see their influence on the skyline die quickly, while even families virtually destroyed by New York's constant economic fluctuations were able to recover in subsequent, possibly wiser, generations. The downside of rampant overdevelopment is given short shrift in this mild-mannered account, however. Despite occasional eccentricities (old Astor's wet nurse, Trump's manipulation of the media), Shachtman evokes a hard-working, civic-minded, rather stodgy group, whose generally humble demeanor contrasts sharply with the concrete evidence of their ambitions. Overly respectful, perhaps, but captivating nevertheless.

Pub Date: Aug. 21, 1991

ISBN: 0-316-78213-0

Page Count: 216

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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