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TRAIN

RIDING THE RAILS THAT CREATED THE MODERN WORLD—FROM THE TRANS-SIBERIAN TO THE SOUTHWEST CHIEF

Great for fans of Paul Theroux’s railroad journeys, except that Zoellner isn’t anywhere near as ill-tempered, and he has a...

A rousing around-the-world paean to the rumble of the rails by accomplished journalist Zoellner (A Safeway in Arizona: What the Gabrielle Giffords Shooting Tells Us About the Grand Canyon State and Life in America, 2011, etc.).

The author, who commutes by train to his teaching job in Los Angeles, notes their utility in moving people and freight. Also, Zoellner finds trains good places to fall in love, if fleetingly, and to get reading and thinking done. Some of the things he thinks about are—well, things that it hasn’t occurred to other writers to ask about, such as the decidedly detrimental effects human excrement has on the rail lines of India: First, it eats away at the metal, and then it attracts insects that eat rail ties, telephone and signal poles, and even railroad cars themselves. (The Hindi word for “this universal human output” is goo.) Mostly, Zoellner concentrates on less icky topics, and often to memorable effect, as when he writes of a foggy journey through northern England, “a J.R.R. Tolkien vision come to life” and an “eldritch scene” to boot. England may be a land of plains and valleys “with an occasional volcanic knob on which the ruins of a fortress might be standing and one where the occupants had almost certainly sucked all the wealth from the surrounding fields and converted it into magnificent furniture and swords,” but America, with its continentally vast distances, has much catching up to do—for one thing, trains travel much slower here than they do elsewhere in the world. Having train-hopped across continents, Zoellner closes his account with a cleareyed look at what needs to happen in America if trains are to have a future—it will involve considerable infusions of money and overcoming vested-interest opposition.

Great for fans of Paul Theroux’s railroad journeys, except that Zoellner isn’t anywhere near as ill-tempered, and he has a better command of social history. A pleasure for literate travelers.

Pub Date: Feb. 3, 2014

ISBN: 978-0-670-02528-2

Page Count: 384

Publisher: Viking

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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