A more-or-less imaginary friend brings a lonely boy and his distracted father together in this heavy-handed but slapstick romp from the author/illustrator of Jimmy Zangwow's Out-of-This-World Moon Pie Adventure (2000). Looking like a cross between a flop-eared John Goodman and Jabba the Hut, Ted saunters into the unnamed young narrator's life, and proceeds to instigate more chaos than the Cat in the Hat ever dreamed of. After helping to spatter the bathroom with shaving cream, "illustrate" the living-room walls, and create an indoor swimming pool in the study, Ted retreats from Dad's wrath to a nearby playground. The boy soon follows, to wonder why grownups have forgotten to have fun, and to learn that Ted was his father's playmate too, years ago. In due time, Dad shows up, and with the help of an old toy dredges up half-forgotten memories—after which all go back home for "one mean game of space-pirates-Monopoly-Twister!" Owing equal debts to Norman Rockwell and Mad Magazine, DiTerlizzi's polished, carefully detailed illustrations feature nerdy-looking humans and wild swirls of domestic disaster, with Ted, invisible to Dad but looking just as solid and real, mugging hugely and providing a mottled, pink focal point. It's not exactly subtle, but children may find its exaggerations appealing. (Picture book. 7-9)
Pub Date: April 1, 2001
ISBN: 0-689-83235-4
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
In describing how his parents met, Say continues to explore the ways that differing cultures can harmonize; raised near San Francisco and known as May everywhere except at home, where she is Masako, the child who will grow up to be Say’s mother becomes a misfit when her family moves back to Japan. Rebelling against attempts to force her into the mold of a traditional Japanese woman, she leaves for Osaka, finds work as a department store translator, and meets Joseph, a Chinese businessman who not only speaks English, but prefers tea with milk and sugar, and persuades her that “home isn’t a place or a building that’s ready-made or waiting for you, in America or anywhere else.” Painted with characteristic control and restraint, Say’s illustrations, largely portraits, begin with a sepia view of a sullen child in a kimono, gradually take on distinct, subdued color, and end with a formal shot of the smiling young couple in Western dress. A stately cousin to Ina R. Friedman’s How My Parents Learned To Eat (1984), also illustrated by Say. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-395-90495-1
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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