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JUST ONE CATCH

A BIOGRAPHY OF JOSEPH HELLER

Essential reading about a writer whose major novels continue to command attention.

How do you top Catch-22? Daugherty (English and Creative Writing/Oregon State Univ.; One Day the Wind Changed: Stories, 2010, etc.) attempts to answer that question and more in this first full-length biography of Joseph Heller (1923–1999).

When Heller’s sprawling World War II picaresque was published in 1961, few predicted it would become a defining novel of the decade, let alone add a new word to the language or still be selling a half-century later. Daugherty has a natural feel for the texture of Heller's worlds, both physical and cultural: his impoverished Coney Island youth, the gung-ho patriotic fervor of World War II, the Beat Generation and the corporate culture of Madison Avenue, where Heller worked by day while toiling on his first novel by night. Daugherty is especially good at capturing the whirlwind events of Catch-22’s publication—a “literary Manhattan Project” whipped into shape by editor Robert Gottlieb (who advised shuffling chapters to get to the funny parts quicker) and packaged and sold by superstar agent Candida Donadio. The author also has a strong sense of the 1970s cultural malaise against which Something Happened (1974) was written, and how Good as Gold (1979) anticipated a more materialistic age. Eventually, Heller’s success led to philandering, a messy divorce and estranged children; a crippling bout with Guillain-Barré Syndrome and waning critical esteem only made things worse. Throughout this absorbing biography, Heller’s moods, affability, wit, seriousness and selfishness all shine through. Daugherty’s attention to the details of his divorce and diet become mundane, and he can get a little too chummy with “Joe” the writer. However, he also has a fine sense of what Heller was up against with Catch-22, as he tried to forge a fresh, irreverent outlook—absorbed from writers such as Jaroslav Hašek, Celine and Nabokov—on a war that had already been defined by James Jones and Norman Mailer. Also, Daugherty scores some strong critical insights regarding the author’s style—e.g., “Instinctually, Joe knew the relentless rhythms of Borscht Belt jokes were like the incantatory prayers one finds in Psalms: The transition from one to the other was natural, almost unnoticeable.”

Essential reading about a writer whose major novels continue to command attention.

Pub Date: Aug. 2, 2011

ISBN: 978-0-312-59685-9

Page Count: 560

Publisher: St. Martin's

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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