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THE LAST LOVE SONG

A BIOGRAPHY OF JOAN DIDION

A dogged biographer elicits from Didion’s life much more than tidy observations of “morality and culture.”

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

An eloquent work on the life of Joan Didion (b. 1934), fashioning her story as no less than the rupture of the American narrative.

Didion’s works of fiction, nonfiction, and journalism relentlessly probed the times in which they emerged. In this wonderfully engaging biography, Daugherty (English and Creative Writing/Oregon State Univ.; Just One Catch: A Biography of Joseph Heller, 2011, etc.) wisely sticks to Didion’s near obsession with making sense of an increasingly incoherent narrative during the tumultuous decades of the waning 20th century. Showing the “construction of persona” of the California-raised author, Daugherty examines Didion’s exploration of the concept of the Western-moving pioneer, resilient and stoical in the face of any calamity, a trope underscored by her mother’s somewhat depressed motto, “what difference does it make?” The author also discusses Didion’s journal keeping, which fed her penchant for eavesdropping; her early stylistic training under Berkeley instructor Mark Schorer and his “channeling of [Joseph] Conrad; her “frailty” and devotion to being the outsider; and her maddening “elisions,” first honed from reading Hemingway. Didion’s early pieces of New Journalism for Vogue—where she spent her early formative years, until the mid 1960s—reveal the “helter skelter” process that shaped her work: the contingency and chance, rather than the deliberation that critics assumed. In book reviews, movie-star profiles, and political reporting, she was struggling to find an “effective American voice.” Enter Time writer John Gregory Dunne, whom she married after the publication of her first novel, Run, River, in 1963, and with whom she moved back to California to work in the more lucrative industry of TV and film. Daugherty devotes much of the later pages of his biography to their remarkable literary partnership, which ended with his sudden death in 2003—an event that inspired her haunting memoir The Year of Magical Thinking (2003).

A dogged biographer elicits from Didion’s life much more than tidy observations of “morality and culture.”

Pub Date: Aug. 25, 2015

ISBN: 978-1-250-01002-5

Page Count: 688

Publisher: St. Martin's

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: June 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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