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ORDINARY LIGHT

A MEMOIR

Guilt and regret pervade Smith’s recollection of her mother’s illness and death, darkening the edges of this light-filled...

A daughter’s journey to claim her identity.

Pulitzer Prize–winning poet Smith (Creative Writing/Princeton Univ.; Life on Mars, 2011, etc.) grew up in Fairfield, California, a solidly middle-class suburb, with four older siblings and doting, supportive parents. After a career as an Army engineer, her father worked in Silicon Valley; her mother, a former teacher, was a devoted member of the First Baptist Church. Sheltered by her community and family, Smith had little sense of her black identity until she spent two “sweltering and long” weeks visiting relatives in Alabama. Her grandmother, she learned, still cleaned for a white family; her own house smelled of “cooking gas, pork fat, tobacco juice, and cane syrup.” Suddenly, Smith was confronted with a new image of her parents’ Southern roots, and it frightened her. Back in California, though, that visit receded into memory as she excelled in school, had a chaste epistolary love affair with a teacher and racked up achievements for her college applications: various extracurricular activities, writing for the school paper and starting a Junior Statesman of America club. Teachers encouraged her, including one who remarked that as an African-American woman, she should “take advantage of the opportunities that will bring you.” Smith resented the idea that her success would be based on anything other than her own talents, but when she was accepted at Harvard, the comment gnawed at her. Besides being a candid, gracefully written account of dawning black consciousness, Smith’s memoir probes her relationship with her mother, whose death from cancer brackets the narrative. The author’s drive to leave Fairfield was fueled by her “urgent, desperate” need to separate herself from her mother; in college, she became militantly black, “caught up in the conversation about Identity” and judgmental about her mother’s beliefs.

Guilt and regret pervade Smith’s recollection of her mother’s illness and death, darkening the edges of this light-filled memoir.

Pub Date: April 2, 2015

ISBN: 978-0-307-96266-9

Page Count: 368

Publisher: Knopf

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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