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ONE MONDAY MORNING

A floppy toy leaning against a rain-streaked window...a little boy gazing out the window...a dismal, deserted city street...One Monday morning (turn page quickly) the king (carrying an umbrella), the queen, and the little prince (in procession) came to visit me. But I wasn't home. (I was waiting at the bus stop) So the little prince said, "In that case we shall return on Tuesday." On Tuesday morning the procession was joined by the knight, But I wasn't home (I was on the subway). Each day the procession grew longer and larger and more splendid on arrival and more disheartened on departure, until... On Sunday morning the king, the queen, the little prince, the knight, a royal guard, the royal cook, the royal barber, the royal jester, and a little dog came to visit me. And I was home. So the little prince said. "We just dropped in to say hello." The little boy examining a deck of playing cards...the floppy toy, looking very like the royal barber, leaning against the sun-filled window.... The magnificence of the royal personages, expressively outlined and colored in the acid shades of old playing cards, contrasts with the muted tones of the tenement and the street. One single surprise—but the child can enjoy the visit again and again just by turning the pages and repeating the refrain.

Pub Date: March 28, 1967

ISBN: 0374456488

Page Count: 48

Publisher: Scribner

Review Posted Online: May 9, 2012

Kirkus Reviews Issue: March 1, 1967

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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