Extremely readable, but thoroughly unpleasant.
Grim, gripping fiction from Hegi (Sacred Time, 2003, etc.) about childhood friends whose triangular relationship goes horribly wrong.
Annie drives around eastern Long Island at night, listening to psychologists’ call-in programs to distract herself from the horror of her husband Mason’s recent suicide. He hung himself in Annie’s studio, among her collages so she’d never be able to work there again, making sure that she would be the one to find him. And he did it after he’d goaded her and their best friend Jake into an act (unspecified at first, but it’s clear what happened) that prompted Annie to tell Mason their marriage was over. We quickly learn that Mason has threatened suicide before when he didn’t get his own way and that he’s pathologically jealous. The narrative intermingles past and present—including a pre-suicide monologue by Mason—to show the three children growing up in adjacent houses; the tensions that arose from Jake’s mother providing paid day care for Annie and Mason; fraught teenage years of shifting sexual alliances; the death of Annie’s parents in a car accident on her wedding day, leaving 19-year-old Annie and Mason to raise her newborn sister Opal as their daughter; Annie’s struggle to deal with Mason’s suicide, her guilt and Opal’s furious bereavement. Every development demonstrates that Mason was, from childhood, a sociopath: greedy, selfish, a liar and a manipulator. The problem—and it’s a big one—is that we never see the charm that must have accompanied his pathology, so it’s very hard to understand why the other two didn’t dump him years ago. Despite this major plausibility issue, the story compels by virtue of its sheer velocity and a host of well-drawn subsidiary characters. But a heavily foreshadowed final revelation isn’t the epiphany Hegi seems to intend, and any hope suggested by Annie and Jake’s reconciliation is decidedly dampened by the chilling portrait of Opal, who appears to have acquired by example Mason’s tendency to threaten and punish.
Extremely readable, but thoroughly unpleasant.Pub Date: Oct. 2, 2007
ISBN: 978-1-4165-4375-6
Page Count: 272
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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