Even Anglophiles should take pause.
If you meet your double, does it mean one of you must die?
It’s 1936, and the youngest member of the Star Turn troupe of British juvenile performers, Ollie Pigott, sees what looks like his twin in the window of a passing train. Could it be his double, or is it just his reflection? Ollie has more pressing problems, like trying to get out of his father’s acting troupe by learning acrobatics (which will also effect an escape from his father’s abuse), so he quickly moves on. American Ralph Halvern, the boy on the other train, is the bored son of a Hollywood movie star, and he immediately becomes obsessed with his look-alike. With the help of the annoying Giselle, a puzzlingly footloose French girl, he slips away from his tutor to search for the face in the window. If the two ever meet, how will their lives change? This taxing historical mystery comes directly from England and is densely flavored with slang; though there is a glossary, it is aimed at modern British children (“Yard: An old measurement…Just under a metre”) and does little to illuminate American readers. The excruciatingly slow plot doesn’t begin until page 70, and the subsequent scenes of mistaken identity quickly become tiresome. What could have been an interesting riff on The Prince and the Pauper with a nice surprise twist instead plays fast and loose with readers’ credulity to a shameful extent.
Even Anglophiles should take pause. (Historical fiction. 12-14)Pub Date: Feb. 1, 2013
ISBN: 978-1-908458-16-2
Page Count: 368
Publisher: Inside Pocket
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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