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QUEEN BEY

A CELEBRATION OF THE POWER AND CREATIVITY OF BEYONCÉ KNOWLES-CARTER

An uplifting and resounding ovation.

A diverse chorus of voices praises the acclaimed songstress and cultural icon.

Chambers (The Go-Between, 2017, etc.), the editor of the New York Times archival storytelling team, who, in addition to her own books, has co-authored books by Michael Strahan, Timbaland, Robin Roberts, Eric Ripert, and Marcus Samuelsson, collects essays from distinguished professionals in entertainment, media, and social activism. In an introduction celebrating the “fire in her belly, the almost otherworldly level of focus and ambition in her eyes,” Chambers lauds Beyoncé’s “soundtrack of power and possibility,” which buoyed the editor through unexpected life changes. Nigerian author and speaker Luvvie Ajayi rhapsodizes over the singer’s immense cultural influence and celebrates her memorable, career-defining performance at the 2018 Coachella Festival. Data journalist Meredith Broussard’s graphic biography of “Bey” vividly combines art and geographical statistics. The perspectives Chambers assembles are delightfully manifold and aptly representative of Beyoncé as a veteran entertainer and an influential cultural icon transcending age and social status. YouTube sensation Kid Fury commends Beyoncé on how much her inclusive productions have consistently impacted the gay community. Other contributors examine Beyoncé’s referential, allusive artistry, her evolving feminism, her Instagram account, and career comparisons to the upper echelon of female rappers, and there are fair-minded criticisms of her “Formation” and “Lemonade” albums. Collectively, these well-balanced essays amplify the popularity and reach of Beyoncé’s music and persona across generations of women (and men). The anthology closes with award-winning journalist Caroline Clarke attesting that while perfectionism can be a common trap for girls, when it is applied to superstars like Beyoncé, it makes her “a pretty damn good role model for my daughter or anyone, including me.” With such a dynamic ensemble of opinions and reflections, the collection will be sweet reading not just for Beyoncé’s superfans, but also for activists, feminists, and budding vocalists.

An uplifting and resounding ovation.

Pub Date: March 5, 2019

ISBN: 978-1-250-20052-5

Page Count: 240

Publisher: St. Martin's

Review Posted Online: Dec. 8, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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