MALINALLI

A pivotal figure in Mexican history is the subject of a novel that combines historical fiction and fantasy.

The woman known as La Malinche lived five centuries ago but remains a controversial figure in Mexican culture. One of the Nahua people of the Gulf Coast, she was given as a slave to the Spanish explorer Hernan Cortes and became his interpreter and adviser in his conquest of the Aztec emperor Moctezuma. La Malinche is a complex symbol, seen by some as a victim of colonialism, by others as a traitor to her people, and by yet others as a founding mother of today’s Mexico. This novel, a fictionalized version of her life, won’t settle any arguments. Indeed, it hardly reads as a historical novel—it’s more of a fantasy adventure. Its narrator is called Malinalxochitl at birth, after a mythical warrior goddess whose very name is so fearsome that people hesitate to speak it, so she’s nicknamed Malinalli. The book begins with her childhood, spent with her doting, aristocratic parents and her bold twin brother, Eagle. But that cozy idyll ends when her family is shattered by the political machinations of Moctezuma, in the far-off city of Tenochtitlan. Malinalli is sent to the Temple of the Eighteen Moons, a haven and school for girls and women, where she is educated mainly in magical pursuits—taught not just to embroider fine cloth but to make needlework that comes to life, birds and butterflies fluttering off the fabric. She learns other, more powerful skills as well, and she makes fast friends but nurses a vengeful hatred of Moctezuma, especially after he’s responsible for another death of someone dear to her. The plot follows what we know of the real events of La Malinche’s life only vaguely, and there’s little sense of place or of everyday life in 16th-century Mexico. But the book’s biggest flaw is the flatness of its characters, especially Malinalli herself, whose voice seems to remain that of an adolescent even as she’s exposed to (and takes part in) brutal violence. That embroidery turns out to be the most lifelike thing in the book. No doubt there is a compelling novel to be written about La Malinche, but this isn’t it.

Unconvincing characters can’t bring to life a historical novel that reads more like a fantasy.