Next book

OMON RA

A vigorous satire on the Soviet space program is combined with a thoughtful dramatization of the mixed human impulses to explore, conquer, and transcend in this memorable short novel by the author of The Yellow Arrow (see below). Pelvin's narrator and protagonist, born Omon Krivomazov, grows up in a nondescript village, ignored by his drunken father and sustained by a rapturous ``dream of the sky'' that fills his being with the romance of celestial navigation. Omon—who adopts as his surname that of the Egyptian god of the sun—progresses with initially increasing enthusiasm, then gathering apprehension, through the stages of Soviet space training, the trials of Flying School, and the revelations of ``Rocket Camp'' with his best pal Mitiok, as the two eagerly prepare for a planned lunar flight. But what of those stories about space cadets who must have their legs amputated to fit inside their vessels' cockpits? Omon meets the dog Laika (``the first Soviet cosmonaut'') and hears hilariously grim stories of the awful lengths to which humans will go to survive- -like the Popadyas, father and son, who wear bulletproof vests and suit up as bears for the pleasure of hunting parties (the participation of Henry Kissinger in this subplot marks one of Pelevin's rare descents into theme-driven overstatement). In Omon, Pelevin creates a bright, observant central character who's appropriately fascinated by the way things work. Minor characters are sketchier, though the blind, wheelchair-bound Political Instructor Colonel Urchagin, who smilingly urges Omon and his comrades to make the ultimate sacrifice, will linger in the reader's memory—as will the sobering lesson imparted to Omon: ``. . . becoming a heavenly body is not much different from serving a life sentence in a prison carriage that travels round and round a circular railway line without ever stopping.'' This haunting tragicomedy was nominated for the 1993 Russian Booker Prize (which Pelevin won for a collection of short stories). It's the work of an exciting new talent, and one hopes his other fiction will soon be in English translation as well.

Pub Date: May 1, 1996

ISBN: 0-374-22592-3

Page Count: 150

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1996

Categories:
Next book

THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview