A funny and deceptively simple meditation on unconditional filial love
A passel of tots discuss their moms' positive and negative aspects with uncontained glee.
"Is mommy tall... / or short?" an unseen narrator asks a crimson-haired tyke wearing a matching crimson dress with white polka dots. The child imagines "tall" (mommy leans down lovingly, about to pick up her dubious-looking daughter) and "short" (now the child looms over a suddenly shrunken, dismayed-looking mommy). With a turn of the page, a definitive, spread-dominating speech bubble declares, "Short!" Other child-and-mommy pairings demonstrate pretty or ugly, nice or mean, fun or boring, young or old, neat or messy; each mommy is loudly adjudged the negative alternative, the growing crowd of children reveling in the mischief. Frazee uses tempera in a limited palette of candy colors, black, and white on soft tan Manila paper, brush strokes giving each area of color (plus the white speech bubbles) luscious texture. The moms look like tall, elongated versions of their children, down to identically colored clothing and hair and distinctive hairstyles. In fluidity of line, simplicity and boldness of palette, and often peculiarity of hairstyle, the figures evoke Seuss’ Whos; in sheer impishness, these children are 100-percent Frazee. When asked, “Do you love your short, ugly, mean, boring, old, messy mommy?” however, there is no question in these children’s minds: “Yes!”
A funny and deceptively simple meditation on unconditional filial love . (Picture book. 3-5)Pub Date: Nov. 3, 2015
ISBN: 978-1-4814-0292-7
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Aug. 30, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
