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MRS. MARCH

On her way to the screen played by Elisabeth Moss, Mrs. March is absolutely right—everyone is talking about her.

In a horror-laced psychological drama, the wife of a bestselling New York novelist learns his latest protagonist is modeled on her.

“But…isn't she...a whore?” whispers Mrs. March to the woman behind the counter at the patisserie she visits daily, who, like every other person in Manhattan, is reading, and loving, her husband's new book. Abandoning her purchases, she bolts from the store, never to return, and immediately confronts an advertisement featuring a woman smiling knowingly under the words "SHE HAD NO IDEA." Even the billboards know! This is just one of innumerable creepy details that speed Mrs. March's descent into a spiraling vortex of psychosis. Not that it's all in her head—copies of the book are everywhere, even in someone's cart at the grocery store. Debut novelist Feito sets her story in a hazy period in the pre-technology past and confines much of the action to her protagonist's claustrophobic Upper East Side apartment, where terrifying literati regularly convene for unbearable parties. Mrs. March's painfully low self-esteem drives the self-consciousness, paranoia, and jealousy that control her relationships with everyone from her housekeeper to her son to a family she runs into at the skating rink. The husband is there on a weekday? She thrills to speculate this means he's been laid off and concocts an elaborate lie to cover the real reason her own son is not in school. Mrs. March is the only character in the book who doesn't get a first name, even in a flashback to her childhood: "On tiptoes, Mrs. March cupped her hand and whispered into her mother's ear...'I have to go to the bathroom.' " While the poor woman never gets a break from the misery, Feito does offer the reader a few homeopathic drops of humor, such as when her protagonist learns that people will do just about anything you ask if you tell them you work for the New York Times. Feito is Spanish and lives in Madrid, but somehow she is the love child of Patricia Highsmith and Shirley Jackson.

On her way to the screen played by Elisabeth Moss, Mrs. March is absolutely right—everyone is talking about her.

Pub Date: Aug. 10, 2021

ISBN: 978-1-63149-861-9

Page Count: 256

Publisher: Liveright/Norton

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THE CRASH

Soapy, suspenseful fun.

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A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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