by Virginia Hamilton ‧ RELEASE DATE: Sept. 13, 1976
Instead of one towering image like M. C. Higgins atop his gleaming pole, Arilla Sun Down is made up of a series of arresting scenes that are almost surreal in their visual intensity. And commanding them, as resplendent a show-off as ever M. C. dreamed of being, is twelve-year-old Arilla's big brother Jack Sun Run Adams, whom she sees as "up high," "golden," and a clear and ever-present threat to her place in the sun. There is the early childhood adventure, remembered with fragmented present-tense immediacy, when Sun appears at the top of a hill at midnight to lasso Arilla (Moon) and their Dad, who are about to go over a cliff on a sled. There is, later, the Fourth-of-July picnic when Sun on his rearing horse lassos three dudes who have spoken disrespectfully of his interracial—black and "Amerind"—family. There is the forbidden midnight skate at the roller rink, and the frantic scramble by Arilla, Sun and Sun's girlfriend to escape discovery. And then there is that bizarre accident when a sudden ice storm sends migrating ducks falling from the sky, one onto Sun's head. His slipping horse falls on top of him, and Arilla proves her mettle on the difficult ride for help. Arilla, fighting for her own position in a family that seems to belong nowhere, is both saddened and released by her brother's fall; she learns that their parents see him as a posturing dreamer with identity problems of his own. There are reinforcing threads—Arilla's early rapport with an old Indian; her father's periodic need to return to his native village and his identity as Great Wolf. The resulting mesh gives the common theme of adolescent self-discovery a dazzling, uncommon impact.
Pub Date: Sept. 13, 1976
ISBN: 0590053809
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1976
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Gary Paulsen ‧ RELEASE DATE: Sept. 1, 1987
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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