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LORD HOLT TAKES A BRIDE

From the The Mating Habits of Scoundrels series , Vol. 1

A solid Regency romance and promising start to a new series.

A runaway bride meets a runaway lord.

Winnifred Humphries can’t bring herself to marry the awful man her father has selected for her, so she leaves him at the altar and climbs into a carriage with a man she believes to be her friend Jane’s cousin. But, as Winn discovers too late, he’s not Jane’s cousin; he’s actually Lord Asher Holt, whom her friends accidentally kidnapped and robbed in the name of research the week before. Asher just wants his money back so he can finally get away from his greedy father, but the situation spirals, and both of them need to leave London as quickly as possible. Though they expect to be parted after just a few days, when they reach Winn’s aunt’s house, the intimacy of their travel ignites a fierce chemistry, and it’s strong enough that they are easily able to pose as a married couple. After they finally admit that they don’t want to be parted, a series of misunderstandings and maliciousness on Asher’s father’s part threaten to part them permanently—unless Asher can get one more chance to talk to Winn. The first book in Lorret’s The Mating Habits of Scoundrels trilogy is convoluted at times, but readers will be pleased to see that Asher is less of a scoundrel than he initially appears. Given that Winn and her friends are ostensibly writing a book about scoundrels—hence the accidental kidnapping—this is unfortunate for their purposes, but that’s a fairly minor subplot anyway. A more charming subplot, a possible second-chance romance between Winn’s parents, adds a pleasing depth to the story, reminiscent of Eloisa James. Readers will also be grateful for the constant rain showers of England, which create several steamy opportunities for Winn and Asher to get out of their clothing to dry off and get close to stay warm. Though there aren’t many surprises in the story, Lorret (The Rogue To Ruin, 2019, etc.) does execute a historical romance well, and readers will look forward to learning more about Winn’s friends Jane and Ellie in future installments.

A solid Regency romance and promising start to a new series.

Pub Date: March 31, 2020

ISBN: 978-0-06-297659-8

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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