by Wendell Berry ; Gary Snyder ; edited by Chad Wriglesworth ‧ RELEASE DATE: June 10, 2014
Candid, introspective and often deeply philosophical, these letters offer intimate glimpses into the lives and minds of two...
A collection of letters chronicling two writers’ friendship and common interests in nature and faith.
Wriglesworth (English/Univ. of Waterloo) has gathered nearly 240 letters between Snyder and Berry, written since 1973, when the two began corresponding, Snyder (Back on the Fire: Essays, 2007, etc.) writing from his home in Nevada City, Calif., and Berry from Port Royal, Ky. Recurring themes include environmentalism, reflections on spirituality and the authors’ efforts to effect social change: “living at peace is a difficult, deceptive concept,” Berry wrote to Snyder in 1978. “Same for resisting evil. You can struggle, embattle yourself, resist evil until you become evil….And I see with considerable sorrow that I am not going to get done fighting and live at peace in anything like the simple way I thought I would.” Snyder saw the battle not against evil, but rather “ignorance, stupidity, narrow views [and] simple-minded egotism” and urged Berry not to fear “becoming tainted by ‘evil’ because that’s not really what you’re up against.” While Snyder practices Zen Buddhism, Berry calls himself a “forest Christian”; both are concerned with the “connection between enlightenment and householding.” Although Berry admitted “joyful relief” in their convergence of ideas about ecology, at times they differed. For example, when Snyder wrote enthusiastically about biologists’ work “to make cereals capable of fixing nitrogen like legumes do, saving 17 billion dollars a year in fertilizer worldwide,” Berry responded with alarm about “the science of genetic manipulation.” It may be good for farming, he conceded, but he worried that it would intensify agribusiness. The two writers have been attentive readers of each other’s work, and those critiques and the writer’s responses, are among the most interesting letters. Wriglesworth provides helpful information where needed, but annotations, relegated to endnotes, would be more useful as footnotes to each letter.
Candid, introspective and often deeply philosophical, these letters offer intimate glimpses into the lives and minds of two influential contemporary writers.Pub Date: June 10, 2014
ISBN: 978-1-61902-305-5
Page Count: 352
Publisher: Counterpoint
Review Posted Online: April 13, 2014
Kirkus Reviews Issue: May 1, 2014
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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