by Wendy Mass ; illustrated by Oriol Vidal ‧ RELEASE DATE: Aug. 28, 2018
An obvious—and bland—riff on the Magic Treehouse series.
An odd item found in a flea-market suitcase sends two children back to days of yore in this series opener aimed at fledgling chapter-book readers.
The suitcase, plainly a MacGuffin, contains a number of seemingly random objects and a remote-control thingy—and as soon as bookish Chase picks up what he thinks is a doorknob with a dragon’s head, he and his camera-toting little sister, Ava, find themselves in a medieval slops closet overhearing a conversation between two knights about a plot against King Arthur. The “doorknob,” it turns out, is actually the hilt of Excalibur, and only finding some way to magically repair the sword can save the king from an assassin’s attack. Writing in present tense, Mass moves the plot along smartly to a climax featuring some brisk, if bloodless, swordplay (her Arthur is more into disarming his opponents than carving them up), then has Ava push a button on the remote to send the young siblings back home. The “time jumpers” billing is deceptive as, though Chase frets about changing the future, neither the narrative nor Vidal’s frequent grayscale illustrations make much effort to place the episode in a true historical setting. The author tucks in a fart joke early on but never follows it up and, in a clumsy effort to inject a bit of suspense, trots in a mysterious, surly villain with differently colored eyes who is after the suitcase. Characters are default white.
An obvious—and bland—riff on the Magic Treehouse series. (review questions) (Fantasy. 6-9)Pub Date: Aug. 28, 2018
ISBN: 978-1-338-21737-7
Page Count: 96
Publisher: Branches/Scholastic
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
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by Wendy Mass ; illustrated by Gabi Mendez ; color by Cai Tse
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by Beth Ferry ; illustrated by Eric Fan & Terry Fan ‧ RELEASE DATE: May 27, 2025
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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by Beth Ferry ; illustrated by Tom Lichtenheld
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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