by William Horwood & illustrated by Patrick Benson ‧ RELEASE DATE: Oct. 24, 1996
In a second sequel to Kenneth Grahame's classic The Wind in the Willows, Horwood (The Willows in Winter, 1994) revisits the River Bank and the beloved characters of Toad, Mole, Rat, and Badger. Portraits of loyal Mole, practical Rat, and wise Badger remain faithfully intact (in text as well as in Benson's black-and- white illustrations); however, Horwood seems captivated with Grahame's own notion of ``an altered Toad,'' and much of the plot dances around this idea. Toad's normal vanity and conceit are seen in ``alarming transmutation,'' thanks to Cupid's arrow, which has left Toad smitten and contemplating matrimony. A parallel plot bears the overriding theme of immortality, which prompts Mole and Rat to journey up river in their desire to ``get a little nearer to the mystery we have called Beyond.'' The two threads intersect at journey's end, where Toad willfully escapes ``the eternal bond'' of marriage, proving himself as irresolute as ever. The formal style of writing adequately mimics Grahame's own; that, and the sophisticated themes may be better appreciated by adults who loved the original. Nevertheless, the River Bank animals have fans who will be happy to pause awhile in such good company. (Fiction. 11+)
Pub Date: Oct. 24, 1996
ISBN: 0-312-14821-6
Page Count: 281
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1996
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by Minfong Ho ‧ RELEASE DATE: Oct. 1, 1991
Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)
Pub Date: Oct. 1, 1991
ISBN: 0-374-31340-7
Page Count: 163
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
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by Minfong Ho ; illustrated by Frances Alvarez
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by Minfong Ho & illustrated by Holly Meade
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by Minfong Ho
by Carol Matas ‧ RELEASE DATE: April 1, 1993
After witnessing the rising tide of anti-Semitism in Nazi Germany, Daniel is suddenly transported, at age 14, from his comfortable life in Frankfurt to a Polish ghetto, then to Auschwitz and Buchenwald—losing most of his family along the way, seeing Nazi brutality of both the casual and the calculated kind, and recording atrocities with a smuggled camera (``What has happened to me?...Who am I? Where am I going?''). Matas, explicating an exhibit of photos and other materials at the new United States Holocaust Memorial Museum, creates a convincing composite youth and experience—fictional but carefully based on survivors' accounts. It's a savage story with no attempt to soften the culpability of the German people; Daniel's profound anger is easier to understand than is his father's compassion or his sister's plea to ``chose love. Always choose love.'' Daniel survives to be reunited, after the war, with his wife-to-be, but his dying friend's last word echoes beyond the happy ending: ``Remember...'' An unusual undertaking, effectively carried out. Chronology; glossary. (Fiction. 11-14)
Pub Date: April 1, 1993
ISBN: 0-590-46920-7
Page Count: 128
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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by Carol Matas
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by Carol Matas
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by Carol Matas
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