Even though we know the answers to most of the questions—Will our heroine win the coveted role of Fanny Brice in Funny Girl?...
Hollywood chronicler Mann (How to Be a Movie Star: Elizabeth Taylor in Hollywood, 2010, etc.) divulges the blood, sweat and tears that propelled a diva’s rise to stardom.
Barbra Streisand is such a cultural institution that it sometimes seems as if she sprang fully grown from the head of the entertainment industry. Not so, argues the author in this surprisingly suspenseful and masterfully paced biography. Covering the fundamental years from 1960 to 1964, he shines the spotlight on an awkward yet ambitious teenage girl who aspired to play grand theatrical roles. To Streisand, singing came so easily that she didn’t regard it as work, and she practically had to be pushed into appearing at Greenwich Village nightclubs. When a friend suggested that she approach singing a song as if acting a part in a play, however, she made a creative breakthrough that led to appearances on TV talk shows, a Broadway role in I Can Get It for You Wholesale and a recording contract at Columbia Records. Streisand didn’t accomplish this alone, and Mann appropriately gives credit to the agents, accompanists, directors and mentors who brought her idiosyncratic style to a generation hungry for new idols. He also delves into her paradoxical mixture of self-confidence and -doubt, disclosing that she privately felt insecure about her looks despite publicly flaunting an outlandish flair for fashion and a loopy sense of humor. Mann structures the book by seasons, further dividing these into a series of vignettes that read like scenes from a novel peopled with extraordinary characters.
Even though we know the answers to most of the questions—Will our heroine win the coveted role of Fanny Brice in Funny Girl? Will she live happily ever after with her Prince Charming, Elliott Gould?—this book makes getting to them a treat.Pub Date: Oct. 9, 2012
ISBN: 978-0-547-36892-4
Page Count: 592
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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