Journalist and novelist Mann (The Men from the Boys, p. 669) nicely probes the American century's shifting mores in this biography of the nearly forgotten silent-film star William Haines. Haines's lifelong refusal to hide his homosexuality is the central theme here. Born in 1900 in small-town Virginia, he ran away from home at the age of 14 and opened a dance hall (possibly a gay brothel) in the nearby brawling factory city of Hopewell. Soon he arrived in Greenwich Village, where he befriended struggling show people, including Jack Benny and Archie Leach—the future Cary Grant and one of several gay actors whose efforts to conceal their sexuality Mann cites in sad contrast to Haines's forthrightness. Modeling work led to a screen test and relocation to Hollywood, where there wasn't yet much stigma against homosexuality—even he-man homophobe Clark Gable apparently had a romantic escapade with Haines. In 1926, Haines achieved stardom and fell in love with sailor Jimmie Shields, who would remain his companion until Haines's death in 1973. The actor developed a flippant ``wisecracker'' personality for the fan magazines in order to deflect attention from his failure to romance starlets: ``Wisecracking allowed him to walk the line,'' Mann notes. His close friendships with William Randolph Hearst and Joan Crawford were balanced by MGM boss Louis Mayer's moral disapproval, which was evidently the main reason for the cancellation of Haines's contract in 1933, even though in 1930 he had been the industry's top male star in box-office receipts. Haines thrived for 40 years in his second career, as an interior decorator; commissions from movie stars and, later, high-profile clients like Walter Annenberg and then-governor Ronald Reagan made him wealthy. As attitudes about homosexuality changed, Haines never hid his relationship with Shields and apparently rarely suffered for it. Insightful, packed with entertaining gossip, and an illuminating reminder that knee-jerk homophobia has not always been the American way.
Pub Date: Feb. 1, 1998
ISBN: 0-670-87155-9
Page Count: 464
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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