As overalled, suspendered Farmer Palmer is a pig, there's no reason why the ass he hitches to his wagon shouldn't be introduced as Ebenezer, his "hired hand," or why the two shouldn't chat on their way to market — except perhaps that Farmer Palmer is clothed in the picture-book convention of human animals and the ass isn't. Still Ebenezer's status as an employee does make his function as a beast of burden a little disconcerting, so that the mishaps that occur on the way home come as something of a relief. First, "Thunder rumbled and rambled" and "dramberamberoomed and bomBOMBED!" and a lightning-struck tree falls on the wagon. ("No one will ever believe this," says Ebenezer as he sets up tripod and camera for a photo of the pig chopping his way out with an ax.) Then Ebenezer sprains his hock so that Farmer Palmer has to hitch himself up and pull, and after a "bib-bibbidy-rib-ribbidy-rip" of a flying wheel, the farmer pedals the hired hand home on an overstrained bicycle built for one. Steig's unflappably matter-of-fact tone goes false only once (as the tree descends on pig and ass, "both realized they would rather not die at that particular time"), and though this lacks the expansive warmth of his previous picture books, the cumbersome maneuvers of this ludicrous duo bring some mild, mock-rustic diversion to the artist's usual bracing, sunny countryside.
Pub Date: Oct. 1, 1974
ISBN: 0374422680
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: Oct. 1, 1974
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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