by Yoko Tawada ; translated by Margaret Mitsutani ‧ RELEASE DATE: Sept. 2, 2025
Proof that thoughtful novels of ideas can be fun as well as provocative.
Tawada’s band of multinational, multiethnic, and multitalented pilgrims continues (and perhaps concludes) its journey to discover what happened to the homeland of one of its number in the third volume of a whimsical trilogy, following Scattered All Over the Earth (2022) and Suggested in the Stars (2024).
Still in search of Hiruko’s ostensibly obliterated homeland of Japan, the travelers start their journey on a surreal decommissioned mailboat in the Baltic Sea. Intriguingly, several of their fellow shipmates could be the ghosts of literary figures. Traveling from port to port, the group comes face to face with shifting borders and national identities, many of which have changed over time due to military and political developments. Observations about the impermanent nature of the concept of “country,” made of paper and promises, versus the permanence of “towns,” which endure beyond the shifting of borders, lead to a discussion of what happens when a house is destroyed. Tawada’s frequently explored themes of identity and belonging, transitions, and the barriers and bridges built by language are on display here, along with commentary on current immigration issues. This ultimately leads Hiruko—who may never determine what has become of her birth county—to a very personal, and literal, solution to where her “house” will be. As Hiruko, and the others she refers to as a “private UN,” come to the realization that the route they are on is unlikely to get her any closer to her homeland, decisions must be made about who is going ahead and with whom. The tale’s ending leaves room for conjecture about the question of destination, but not the bonds created within the group of wanderers. Tawada’s usual spirit of cheerful speculation creates a believable, but impossible, set of circumstances for her appealing characters to muse upon, argue over, and learn from.
Proof that thoughtful novels of ideas can be fun as well as provocative.Pub Date: Sept. 2, 2025
ISBN: 9780811239790
Page Count: 256
Publisher: New Directions
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Yoko Tawada ; translated by Lisa Hofmann-Kuroda
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by Yoko Tawada ; translated by Margaret Mitsutani
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by Yoko Tawada ; translated by Susan Bernofsky
by Mitch Albom ‧ RELEASE DATE: Oct. 7, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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BOOK TO SCREEN
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