ARCHIPELAGO OF THE SUN

Tawada’s band of multinational, multiethnic, and multitalented pilgrims continues (and perhaps concludes) its journey to discover what happened to the homeland of one of its number in the third volume of a whimsical trilogy, following Scattered All Over the Earth (2022) and Suggested in the Stars (2024).

Still in search of Hiruko’s ostensibly obliterated homeland of Japan, the travelers start their journey on a surreal decommissioned mailboat in the Baltic Sea. Intriguingly, several of their fellow shipmates could be the ghosts of literary figures. Traveling from port to port, the group comes face to face with shifting borders and national identities, many of which have changed over time due to military and political developments. Observations about the impermanent nature of the concept of “country,” made of paper and promises, versus the permanence of “towns,” which endure beyond the shifting of borders, lead to a discussion of what happens when a house is destroyed. Tawada’s frequently explored themes of identity and belonging, transitions, and the barriers and bridges built by language are on display here, along with commentary on current immigration issues. This ultimately leads Hiruko—who may never determine what has become of her birth county—to a very personal, and literal, solution to where her “house” will be. As Hiruko, and the others she refers to as a “private UN,” come to the realization that the route they are on is unlikely to get her any closer to her homeland, decisions must be made about who is going ahead and with whom. The tale’s ending leaves room for conjecture about the question of destination, but not the bonds created within the group of wanderers. Tawada’s usual spirit of cheerful speculation creates a believable, but impossible, set of circumstances for her appealing characters to muse upon, argue over, and learn from.

Proof that thoughtful novels of ideas can be fun as well as provocative.