by Zadie Smith ‧ RELEASE DATE: Oct. 28, 2025
A thoughtful, deft collection.
A take on the world.
In a gathering of 30 essays and talks from 2016 to early 2025, Smith reflects on arts and politics, aging and craft. Several pieces were informed by dismaying political events: Receiving a literary award from Kenyon College three days after the 2024 American election, Smith talked about the need to protect vulnerable people; in Austria, in 2018, when that country was turning to the political right, she spoke about multiculturalism, exemplified by the makeup of the British World Cup team. At a rally in London, she spoke about climate change denialism; and in an essay written before the July 4, 2024, British election, she reminded her readers about what the Labour Party should stand for, in light of increasing inequality. Politics and history infuse an essay on Kara Walker’s “mode of relating to the ruins of the past” and her forewords to reissues of Gretchen Gerzina’s Black England and James Weldon Johnson’s Black Manhattan. Smith offers moving obituaries for writers she admires and has learned from: Joan Didion, Martin Amis, Philip Roth, Toni Morrison, and Hilary Mantel. The movie Tar inspires Smith to think about artistic monsters; artist Celia Paul’s memoir of her relationship with Lucien Freud elicits an essay about being, or resisting being, a muse. Smith reflects on her own writing in her foreword to her novel The Fraud, in an interview with a Spanish journalist, and in a talk on craft for a fiction workshop. She extols her beloved Kilburn, in London, and pays homage to New York, where she observes an unexpected sense of community when diverse New Yorkers jump in—silently and efficiently—to help a young mother whose baby carriage suddenly breaks. In that essay and others, Smith seems cautiously optimistic that “moral intelligence” will prevail in hard times.
A thoughtful, deft collection.Pub Date: Oct. 28, 2025
ISBN: 9780593834688
Page Count: 352
Publisher: Penguin Press
Review Posted Online: July 3, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Zadie Smith & Nick Laird ; illustrated by Magenta Fox
BOOK REVIEW
by Zadie Smith
BOOK REVIEW
by Zadie Smith & Nick Laird ; illustrated by Magenta Fox
by Eli Sharabi ‧ RELEASE DATE: Oct. 7, 2025
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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